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Reading Strategy: A List for Auntie Mame

After I read an article or book chapter related to my studies, I try to write a reading note immediately after. It has the following structure:

  • Summary

  • Commentary

  • Quotables (with page numbers)

  • Questions

Reading notes help me reflect on the reading as a whole, crystallize my thoughts a bit, and give me something to refer to in the future. This quarter, I've also been experimenting with contemplative reading. What I mean by that is being determined as I go, but I'm aiming to achieve the following:

  • Give myself 2-3 times the amount of time I'd normally give myself to read something

  • Be present to the sensory/emotional/social/intellectual experience while reading

  • Read with compassion for myself, the author, the world

So far, this experiment has been a lot of fun. I've used a meditation app to play a bell of mindfulness every three minutes while I'm reading, which invites me to be present to my posture and to notice if I've gotten lost in thought or the content. It's made my "non-contemplative" reading feel a bit more spacious and it's inspired an additional two categories in my reading notes.

The first category is called process and it's simply a description of how life unfolded while I was reading. Where I was, how long it took, any interruptions or memorable events, etc. 

The second category is called Patrick's List and it is a list of everything I didn't understand while reading. Instead of feeling bad about not understanding a concept or argument, I open to what I truly do not know. I highlight words and phrases in gray (as opposed to yellow, which indicate passages that resonate) and at the end of the reading note, I go through all the gray highlights and make a list. The practice reminds me of the following scene from one of my favorite movies, Auntie Mame. 

For example, here is the list I made while reading Donald Wiebe's The Failure of Nerve in the Academic Study of Religion this morning:

  1. What is meant by “God-talk” and how it is different from ‘god-talk’ and talk about God (gods).

  2. What exactly “Ultimate, Transmundane Reality” is. And what “Supermundane” is.

  3. What “exclusivist theologies" are.

  4. What “Christian atheism” is

  5. The sentence “‘ontic reality (existence) of the “Focus” of religion." on p. 403

  6. The distinctions between historical, systematic, theoretical, foundational, and Confessional theologies.

  7. The word “countenance” when used as a verb.

  8. What the “theological agenda” is universally assumed to be.

  9. The meaning of the words philological, sui genesis, epoche, inter alia, students qua students.

  10. What happened at the World Parliament of Religions in 1890s.

  11. What “the truth question” refers to, exactly.

  12. What “theological suspicion” is.

  13. What the “descriptivist doctrine” is.

  14. What ecclesiastical means, especially in reference to control or domination.

There is no shame in Patrick's list, only evidence of paying good attention and being curious. It is in this spirit that I write my lists. As I type each entry I sound out the long words and say them in my head as Patrick would, with a spirit of inquisitiveness and innocence. It keeps me honest with myself and gives me so many starting places to explore the literature, should I want to. Besides, as Auntie Mame says, I shouldn't need these words for months and months. 

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Trains, Bicycles, and Libraries

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Trains, Bicycles, and Libraries

I just returned from a three-week trip to Chicago where I was a scholar-in-residence at Skokie Public Library. I took the Empire Builder out and back, a three-day train ride each way. I brought my bike and cycled over 500 miles getting to and from Skokie each day. In addition to getting very tan and very opinionated about Chicago's car culture and bike infrastructure, I experienced an overwhelming sense of rightness and belonging. TL;DR I am filled to the brim. 

This trip was a windfall of riches in experience. Each interaction taught me something. Skokie librarians are downright amazing people. The library itself is full of heart, every ounce of it feels activated.  Together we imagined and practiced what a contemplative culture might look like. We meet, talked, and experimented. I am still feeling out the boundaries of my gratitude. They are far and wide. 

One interaction, in particular, a conversation with a retired Chicago cop who attended a program I ran on a Saturday morning is the inspiration for this post. She taught me many things that morning, and one of them was helping me realize the power of photography to reflect on and appreciate your life. These photos give in many ways. The process of taking them allowed me to slow down and appreciate the moment I captured. The revisiting and deciding which to share allowed me to remember and appreciate the experiences again and also in new ways. Captioning and sharing them with you connects us across time and space. And in the future, I will be glad to revisit these memories and experience all the emotions they rush in. 

THE TRAIN

Montana Sky Country

Montana Sky Country

I'd never gone on a multi-day train ride before and I loved it. It's a humane way to travel, one that nurtures a culture of trust. You're trusted as you board. There's no security theater. You trust others to not take your things when they're unattended. You trust each other to care for the common spaces (bathrooms, trash cans, aisles, etc.) while you're traveling together.

The sun rising near Devil's Lake, North Dakota.

The sun rising near Devil's Lake, North Dakota.

You're trusted to be nice to each other.  During meals, you're seated with whoever came right before or after you. I met such interesting people, all of whom were very different from me. I found common ground with each of them and will remember their faces and our conversations for a long time.

The sun setting in Whitefish, Montana

The sun setting in Whitefish, Montana

It's truly amazing (and also kind of wrong) that we can travel so far so quickly on planes. A train ride gives you a sense of the distance you're traveling. The time zone changes are gentle. You experience the gorgeous and the mundane of trackside towns and forests.

Glacier National Park

Glacier National Park

THE BICYCLE

There is probably nothing more evocative of my time on the trip than this photo.

There is probably nothing more evocative of my time on the trip than this photo.

In exchange for pet sitting a very sweet 19-year-old cat for a week, I had accommodations in Chicago, right downtown in Printer's Row, for my entire residency. This choice afforded me the opportunity to build a true friendship with the colleague that offered her home to me. I also made a couple friends in their tight-knit community. 

Pausing at one of my favorite spots along the lake shore. A bank of flowering Black-eyed Susans.

Pausing at one of my favorite spots along the lake shore. A bank of flowering Black-eyed Susans.

It also meant that I biked 20-miles one-way to and from Skokie each day. It was an interesting choice to make, but looking back on it, my time in the saddle was such a rich and alive part of the experience. I wouldn't have wanted it another way.

A perfect day, especially appreciated after a string of very wet rides.

A perfect day, especially appreciated after a string of very wet rides.

My first ride was during a thunderstorm that began at about 5:30 in the morning. It was torrential and I was soaked through after riding two solid hours in it. After that, I thought it could only get better but turns out another storm awaited the very next day. I experienced so many challenges along the lake front and the streets I found to Skokie (Ardmore, Kenmore, Granville, Lakewood, Pratt, Kedzie, McCormick, and Main). Menacing cars, impatient cyclists, oblivious rollerbladers. It was truly difficult each day in its own way. But, like my commute here at home, which is also two hours and involves 10 miles and a ferry ride, there's so much to be gained by accepting the challenges presented. It is a different experience to ride in the rain when you aren't upset that it's raining. In many ways, my ride afforded countless opportunities to practice acceptance.

THE LIBRARY

From the first minute to the very last of my time in Skokie, I felt something I rarely experience: belonging. Over the course of thirteen days, I participated in 51 engagements — "Mindful Meet-ups" with staff, departmental meetings, walk & talks with individuals, pop-up programming for the public, and more. I directly interacted with lots of folks — from over 70 Skokie staff members to nearly 20 leaders in other area libraries to ~40 members of the public.  It was a very full 13 days.

A goodbye gathering on my last day.

A goodbye gathering on my last day.

I left with more questions than I arrived with, which is just what a PhD student needs. Together we explored contemplative culture, programming, and spaces. There's so much to play with and learn about what's possible.

Drawing "internal weather reports" with Skokie patrons. (Photo by Max Herman)

Drawing "internal weather reports" with Skokie patrons. (Photo by Max Herman)

I think more than any other question, though, the one that's most on my heart and mind at the moment is about how contemplative practice creates and sustains community.  I am sure that wherever my work is leading, it will involve understanding how we bring our whole selves to everything we do, and how our whole selves are incomplete without understanding who were are together.  

A post-it note left by a member of the public. I couldn't have said it better myself.

A post-it note left by a member of the public. I couldn't have said it better myself.

So much gratitude for this experience. So much more to come.

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Get Freer with Freewriting

This quarter I've been exploring freewriting*. I've discovered Peter Elbow and Marion Milner and Pat Belanoff. I've introduced a freewriting activity into the undergraduate design thinking course I TA-ed for, I began a research project with Morning Pages writers, and I'm noodling on an idea for a collaborative freewriting tool that would help groups through stuck or stymied moments in their creative process. I've also played with my own freewriting, experimenting with new methods and tools.

FOR EXAMPLE, I'VE BEGUN TO FREEWRITE IN THE MIDDLE OF MY COMPOSITIONS BY PUTTING ON THE CAPS LOCK AND WRITING WHATEVER'S ON MY MIND FOR A LITTLE WHILE BEFORE GOING BACK TO 'REGULAR' WRITING MODE.

This morning, while reading Belanoff's Nothing Begins With N**, I stumbled on her list (p. 27-29) of ways to make your writing more "free," which in turn may make it more original, clarifying, cathartic, and (ironically) structured. Here are a few of her exercises (paraphrased by me) that I thought were especially easy to try:

  1. Write for longer and longer periods of time and more quickly. For example, set a timer, write, and then the next time you freewrite, set the timer for the same amount of time, but write more than you did the time before. Or set a word count and time how long it takes you and try to beat it the next time. As you go along with this practice, increase the timer or word count from time to time (ha!).

  2. Get everything out of your head and onto paper (or the screen) in 3 minutes. List making is fine for this activity.

  3. Freewrite about the process of freewriting instead of freewriting about whatever you're working on or through.

  4. Freewrite only questions. Ask every question you can think of.

  5. Freewrite for five minutes, then put that writing aside and rewrite what you just freewrote. Wait five minutes. Try to rewrite your freewriting once or twice more. Afterwards, look at the writings and compare them. Did your ideas evolve? What was consistent? What was lost?

More to come from me on freewriting and especially that Morning Pages study. Still figuring out what and how to blog my academic journey and this morning's reading struck me as simple and straightforward to share. If you have thoughts about freewriting, please tweet or email them to me.


* Here's a typical prompt for freewriting from Elbow: The idea is simply to write for ten minutes (later on, perhaps fifteen or twenty). Don't stop for anything. Go quickly without rushing. Never stop to look back, to cross something out, to wonder how to spell something, to wonder what word or thought to use, or to think about what you are doing. If you can't think of a word or a spelling, just use a squiggle or else write "I can't think what to say, I can't think what to say" as many times as you want; or repeat the last word you wrote over and over again; or anything else. The only requirement is that you never stop.

** I love the story of how this book was titled: A student who was being encouraged to freewrite said "I have nothing to say," to which the instructor replied, "Nothing begins with an N."